The Acropolis of Athens and its temples. Interesting facts about the Acropolis

To enjoy the beauty of the Acropolis of Athens, you will definitely pass through the Monastiraki area. Starting from the northern slope of the Acropolis hill in Athens and to the southwestern slope, Theorias Street stretches. On the right side at the beginning of the street there is a place from which you can see beautiful view to the hill with all its buildings. A little further, on the left side, is the Church of the Transfiguration. Starting your climb up the slope, you will soon see on the right a small rocky hill of the Athens Acropolis - the Areopagus. In ancient times, meetings of the Supreme Court of Athens were held here.

When climbing this rock along the steps carved into the stone, you need to be very careful, since they, like most of the top of the Areopagus, are very slippery. Rubber-soled shoes are best for this climb. But in boots with leather bottoms you will get to the emergency room faster than on a flat mountain area. There is another climb to the Areopagus, located not far from the one already mentioned. It has metal steps. During the hottest days, it is better not to climb the mountain, as you will not be able to stay at the top for long and will be forced to go back down in search of shade.

The propylaion became the entrance to Athens Acropolis. It was built in 438-432. BC. Translated from Greek, "propylaea" is an impressive ceremonial tower into which masses of people entered. Of course, the entrance to the worshiped Acropolis of Athens must have been monumental. The Propyleion, which the Greeks spoke about with great delight, was called the Shining Face of the Acropolis.

However, the Acropolis temple of Propyleion was never fully completed - some of its sections remained unpolished, and during the explosion at the gunpowder warehouse caused by Turkish soldiers in 1646, the Propyleion was quite badly damaged.

On the right side of the Propyleion is the temple of the Acropolis - Niki Apteros (Temple of the Wingless Victory). This rather elegant structure has surprisingly small dimensions - only 8.27 x 5.44 meters. In the temple of the Acropolis of Athens there is a wooden sculpture of the goddess. As the legend goes, the goddess Victory originally had wings, which were cut off by the Athenians so that she would remain in their city forever.

The place where the temple was erected is associated in the Athenian Acropolis with a dramatic event described in ancient mythology - the ruler of the capital of Athens - Aegeus saw from this place on the sea, waiting for the ships of his son Theseus, who was supposed to sail with news of an important event. Theseus moved to about. Crete, in order to deal with the Minotaur and liberate his city from a terrible tribute, in case of success, he had to change the black sail of mourning to the white sail of victory, but, rejoicing at his success, Crete forgot about the agreement. The black sail misled Aegeus. The unfortunate ruler thought that his son had died and threw himself into the sea, which later became known as the Aegean. The temple was destroyed during the Turkish occupation, its debris served as material for the construction of the bastion. Fortunately, the main part of the blocks survived, and the temple on the Acropolis of Athens was almost completely restored.

The northern side of the Athens Acropolis is decorated with the beautiful marble temple of the Erechtheion, which is a most beautiful creation of classical art. It was built on the site of the palace of the rulers of Mycenae in 419-405. BC and became a place of worship for the Athenians. It was at this place that the dispute between two deities over the patronage of the city was resolved. In order to reconcile them, the Athenians built two temples, one dedicated to Athena and the other to Poseidon, both temples being under the same roof. This structure is called the Erechtheion. Eastern part The temple was dedicated to Athena - the oldest statue of the goddess is kept here, which the Athenians believe fell from heaven. The Temple of Poseidon in the Acropolis is located 12 steps below. In the floor of this temple, in a place where there is no tiled flooring, three holes can be seen, which are considered to be marks from the trident of Poseidon. Exactly in this place on the roof of the temple one can see a hole from the handle of the trident, which was made when it was raised during the impact. Apparently, the ancient Greeks were not at all bothered by the time paradox.

The greatest interest in the Erechtheion is the Portico of the Daughters, consisting of six sculptures of the most beautiful girls, which, acting as columns, support the roof of the temple. In Byzantine times they were called Caryatids, that is, women from a small town called Caria, which was famous for its exceptional beauty. At the beginning of the 19th century, one of the Caryatids, along with pediments and friezes, was taken to England by the ambassador of Constantinople, Lord Elgin, with the permission of the Turkish government. The Athenians were so excited by Elgin's act that they soon invented a legend about the nightly cry of the five Daughters who remained in the temple about their stolen sister. Lord Byron wrote the poem “The Curse of Athens”, dedicated to the looters of these priceless treasures. The British Museum still preserves the famous Elgin Marbles; a copy was placed in the place where the statue stood.

On the hill of the Areopagus or Supreme Court Court hearings took place during the times of ancient Athens. At the foot of the mountain are the burial places of the Mycenaean kings from the era of their reign in Athens. They are long tunnels that go deep into the stone. To the right of the stairs is a rock on which are carved sermons and the words of the Apostle Paul, who preached here in 50 AD. Nearby is the tomb of St. Dionysius the Areopagite, the first convert of Paul.

Climbing the Areopagus, you will be able to enjoy the magnificent views of Syntagma Square, Omonia, Monastiraki, Plaka, the Ancient Agora and most of Athens. This is an unforgettable sight. Many people come here at sunset to admire the city in the light of the sun setting behind. At night you can meet many couples in love, admiring the glowing city and each other.

Without your sacred mountain The Acropolis of Athens would not be Athens. If you stand in the middle of a modern street with shops, where there are no cars, your gaze will open to a view of the Acropolis of Athens. Sitting on one of the warm summer evenings on a cozy terrace at a table under open air, you will again see the Acropolis of Athens illuminated by lights. As intrusive as it may sound, you must visit the Acropolis of Athens, which is the soul and heart of Athens! It is best to choose the morning hours for this, when it is not yet very hot, and climbing steep streets will replace a full morning exercise.

Temples of the Acropolis: Arreforio, Erechtheion, Parthenon, Temple of Athena-Victory, Propylaea and other beautiful ancient buildings will take you back to the times of the Greek Gods, Pericles, Ictinus, Phidias, and the builders and architects of this unsurpassed temple complex. Unfortunately, it is currently impossible to visit the Acropolis Museum, located behind the Parthenon, since its entire exhibition has been transferred to the ultra-modern New Acropolis Museum.

Many sources contain different translations of the word “Acropolis”, some of which are even the most incredible and funny. In fact, in ancient times there were only two translations: “city on a hill” and “edge of the city.” Currently, the second version of the translation is more widespread.

The sacred mountain has finally become accessible to people with physical disabilities! In accordance with the requirements of the International Olympic Acropolis Committee and the European Union, permits from the Greek Ministry of Culture, the Central Council of Archeology and the order of the Minister, the hill can be reached using an elevator built above the Kanellopoulos Museum on the northern slope.

To the north of the main entrance to the Acropolis of Athens there is a special entrance through which a person in a wheelchair and his companion can access the elevator. A special moving platform lifts you from the sidewalk to the elevator level. At the very top, a platform and an inclined path lead from the elevator to the observation area, located northwest of the Erechtheion. A specially paved path running from the Erechtheion to the northwest corner of the Parthenon provides access to a view of the eastern façade of the Propylaea. From the northeast corner of the beautiful Parthenon, the path turns to the Acropolis Museum of Athens, where you can clearly see the eastern side of the Parthenon and the ruins of Rome and the Temple of Augustus. At the Acropolis of Athens, a small vertical elevator takes you down to the entrance level to the Acropolis Museum, which is currently closed.

In order for people in wheelchairs to avoid the usual daytime crowds, it is better to plan your day in such a way as to see the Acropolis of Athens from 8 to 10 o'clock in the morning and from 13 to 17 o'clock in the afternoon. Do not forget that on a summer afternoon it is very hot on the top of the hill!

Acropolis(from the Greek word "acropolis" - which means " upper city") - is a fortified part of the city, located on a hill and intended for the defense of the city in war time. The Acropolis was the site of the original settlement of people, and much later a lower city was built around it, which did not have significant defensive structures.

Walled cities were usually built around a hill or high cliff. Internal fortifications were erected on the rock. Such a citadel in Ancient Greece called the Acropolis. However, the building served not only the role of an internal fortress - the Greeks kept in the depths of their consciousness ideas about prehistoric times, and the square raised on the rock symbolized for them the celestial sphere, sacred soul-cleansing powers and immortality.

Fearless warriors and wise military engineers strengthened the entrance to the Acropolis only when the enemy approached. The threshold of the sacred site seemed to the Greeks as a kind of border between immortality and earthly prosaic affairs. On the acropolis there were temples dedicated to the ancient Greek gods. One of the outstanding monuments of world architecture is the Acropolis in Athens.

Acropolis of Athens occupies a rocky hill more than 150 meters high. Its top is flat and the temples are built on it in an ascending order. The hill reaches a width of 170 meters and a length of about 300 meters.

Structure of the Acropolis in Athens.

The ensemble of the Athenian Acropolis includes several temples and other important objects, among which are the following:

- this is the central and most main temple Acropolis, dedicated to the patroness of the city, the goddess Athena. The temple was built in the middle of the 5th century BC by the architect Callicrates.

Hecatompedon- one of ancient temples as part of the Acropolis, which was built in honor of the goddess Athena, which was built much earlier than the Parthenon.
- a temple as part of the Acropolis, located north of the Parthenon, which also had important religious and cult significance. The Erechtheion was dedicated to the goddess of wisdom Athena, the god of the seas Poseidon, as well as the legendary Athenian king Erechtheus.

Statue of Athena Promachos- a huge bronze statue of the goddess Athena - the patroness of the city - the polis. Its author was the sculptor Phidias, who erected the statue in 465 - 455 BC on an elevated pedestal between the Parthenon and Erechtheion temples.

Athena holds a shield and a spear in her hands, and on the head of the statue there is a golden helmet. The spear was also made of pure gold. They sparkled in the rays of the sun, and their light was visible for many kilometers. That is why the statue of Athena Promachos served as a kind of beacon for sailors - they used it to navigate and successfully reach the shores of Hellas.

Propylaea- represent a passage limited by a colonnade, which is intended for ceremonial processions. It was not by chance that the Propylaea became business card Acropolis - their slender colonnade forms the entrance to the ensemble.

Temple of Nike Apteros- dedicated to the goddess Nike - the winner. The temple is located in the south - westward from Propylaea. It is built on a rock ledge, and therefore is additionally reinforced with a supporting wall 8 meters high. The Temple of Nike was built by Callicrates in 427 - 424 BC.

Eleusinion
Bravronion- This is the sanctuary of the goddess Artemis of Bravron, which was located in the corner of the Acropolis next to Chalcoteca. The goddess Artemis patronized pregnant women and women in labor. The temple is distinguished by its simplicity and grace.

Chalcotheca- a special building in which weapons, ritual objects and utensils for making sacrifices were collected for storage. It was here that spears, shields, armor, catapults belonging to the city were kept, as well as captured weapons obtained in fair battle from the enemy.

Pandroseion- this is a temple building - a sanctuary built in honor of the daughter of the first king of Attica Kekrops, whose name was Pandrosa. The courtyard of the sanctuary has a trapezoidal shape. On its territory there is an altar of the god Zeus Herkei, the patron saint of the family hearth.

Arreforion- this is a building small size, serving as a residence for four arrephoros - young girls of noble origin who wove peplos intended as a gift to the goddess Athena during the annual Panathenaic Games.
Athens altar- a special place in the courtyard of the Acropolis, where it was customary to make ritual sacrifices in honor of the ancient Greek gods. Typically, sacrifices had to be made during ceremonial events and holidays.

Sanctuary of Zeus Polyaeus
Sanctuary of Pandion- today it is the ruins of a destroyed building, which in ancient times was located in the south-eastern part of the Acropolis of Athens. This small building was the temple of the legendary ancient Greek hero Pandeonis, one of the Athenian kings.
Odeon of Herodes Atticus- is a building in the form of an ancient Greek theater, designed to accommodate 5 thousand spectators. The building was built in 165 AD by order of the Greek orator and philosopher Herodes Atticus in memory of his deceased wife Regina. Today, the building has been preserved almost completely, and performances and concerts are held there.

Standing Eumenes is a two-story building with Doric order columns. Inside the structure there are Ionic columns, and the upper tier is decorated with capitals made in the Pergamon style. In front of the Stoa are the remains of the foundation of the Nicias monument. The Stoa of Eumenes was built on a hillside, and got its name from the architect Eumenes II of Pergamon.
Asklepion is an ancient Greek temple built in honor of the god of healing, Asclepius. The sanctuary had not only religious and cult significance, but also served as a medical institution. The Asklepions contributed to the development of medical science in Ancient Hellas.

The treatment of the sick was carried out by the priests of the god of healing - Asclepiad. At first, only certain ritual actions were performed, but later the priests began to use various medicinal herbs and potions. This helped cure the sick and also contributed to the accumulation of special medical knowledge.

Theater of Dionysus
Odeon of Pericles
Temenos of Dionysus
Sanctuary of Aglavra

Propylaea.

This border was served by a colonnade called the Propylaea. The Greeks improved the order, borrowed from the traditional Egyptian architecture. The columns of the Propylaea are made in the Doric order, which the Greeks considered the embodiment of strength and courage.

The exterior of the Propylaea is not characterized by symmetrical lines. The right wing of the building seemed to shrink to make room for the marble temple. The four columns of the temple, thinner and more graceful, stand on turned stands and end with two elastic curls. These are columns of the Ionic order - the embodiment of graceful femininity.

Temple of Nike Apteros.

The goddess of victory Nike is depicted unarmed, for real victory is higher than weapons. Victory is fickle, which is why Nike has eagle wings. After the Greco-Persian Wars, the Greeks claimed that having settled in their city, Nike would never leave it, and therefore they depicted victory without wings, and the structure was called the Temple of Wingless Victory - Nike Apteros. Thus, Victory became a domestic goddess for Athens.

And, as proof that she feels confident and comfortable, on one of the bas-reliefs of the temple she leisurely adjusts the string of her sandal. The Temple of Nike is located directly in front of the entrance to the Acropolis. The left wing of the Propylaea is a spacious marble pavilion in which the world's first art museum, the Pinakothek, was built.

Statue of Athena Promachos.

Just as other cities were poleis separate from each other, the Acropolis was a special world opposed to the city - a world in which reality merged with fiction. Those who came to the Acropolis were greeted by a huge figure in a scaly shell, cast in bronze.

In the struggle for independence there was a conscious unity between the people and the land. The Greek selflessly served his fatherland. The won peace could turn out to be fragile, and Athens could turn to war again at any moment. The armed world existed in the guise of the patroness of the polis in armor and a helmet. The bronze figure leaning on a spear was for the Athenians the goddess Athena herself.

Greek sculptors did not adhere to once and for all established standards; they were constantly in creative search. The artist sought to give the figure a more expressive pose or a new gesture. The canons of Greek art were not immutable and the priests did not monitor their strict observance. Each master made his own changes. Also, Greek art was unfamiliar with once and for all established subjects.

The world seemed to the Greeks in constant cyclical movement. The plastic embodiment of gods and heroes was a statement of perfection. Sculpture was considered the main art, and work on the creation of sculptural compositions was led by the brilliant ancient Greek sculptor Phidias, the creator of the bronze statue of Athena.

As the myth said, two deities claimed the role of patron of the city - the polis - Athena and the god of the seas Poseidon. During the dispute, Athena lightly touched the rock with her spear, and an olive tree grew in this place. In turn, Poseidon struck the stone with his trident, and water began to gush out of it.

However, the gods unanimously recognized the miracle created by Athena as more useful, and gave the city under her protection. The city also received its name from the name of the goddess.

The god of the seas, Poseidon, was also the god of the rich, while the goddess of wisdom, Athena, patronized the working people. The myth of Athena's victory over Poseidon is captured in the sculptural composition on the western pediment of the Parthenon, the main temple of the Acropolis.

Most of the figures are depicted naked. The ideal of the Greeks was the harmony of external and internal beauty, the unity of body and spirit. The Greek gods, restless, ardent and active in character, were similar to the Greeks themselves.

The Athenian Acropolis, crowned with the ruins of the Parthenon, is one of the archetypal images of world culture. Even the first glance at these ancient ruins over roads filled with cars gives an unusual experience: something unusual and at the same time extremely familiar, almost familiar. The Parthenon is a symbol of the power of the Athenian polis, and as such it was known throughout the Ancient World. But it is unlikely that the creators of the temple foresaw that its ruins would symbolize the emergence and formation of world civilization - not to mention the fact that two and a half thousand years later the Parthenon would attract great amount tourists (approximately two million annually).

The Acropolis of Athens is a rock. Almost none of them are antique greek city could not do without its acropolis (the word itself means upper city), but the Athenian “upper city” is the Acropolis with a capital A, and when mentioning it, there is no need to go into additional explanations. The Acropolis is a block of limestone with steeply plunging slopes and a flat top rising a hundred meters high. The Acropolis was easy to defend, there was never a shortage of drinking water, so the allure of owning the rock was obvious. Even today it remains the heart of the city. On the flat top of the Acropolis, not only the Parthenon was erected, but also the Erechtheion, the temple of Nike Apteros and the Propylaea, the remains of many less significant ancient structures were preserved, and there is the current museum.

All this is surrounded by a fence and forms a single museum complex. The southern slope of the Acropolis, with two large theaters and several smaller temples, is accessed through a different gate and with separate tickets. Now the streets surrounding the Acropolis of Athens are pedestrianized, and you can walk around the hill and the ancient Agora, admiring these monuments. To the west, Thisio has many cafes where you can relax with a cup of coffee on the terrace. At the opposite end is , in the labyrinth of streets of which you can get lost, but the Acropolis can always serve as a guide for you.

You can only get to the top of the Acropolis from the west, from the side where there is a large bus depot at the foot of the hill. The usual pedestrian road to the entrance starts in the northwestern area of Plaka and follows a path that runs above Odos Dioskouros where this street joins Theorios. You can approach the Acropolis from the south, along the pedestrian street Dionisiou-Areopaitou (Acropolis metro), past the Theater of Dionysus and the Theater of Herodes Atticus, or from the north: through the ancient Agora (entrance from Adriano; Monastiraki metro), or a more authentic route, but this pays off with magnificent views of both the Acropolis and the Acropolis - from Thisio, along the traffic-free Apostolou Pavlou Street (Thisio metro).

There are no shops or restaurants on the Acropolis, although there are a couple of counters at the main ticket office selling water and sandwiches, as well as guidebooks, postcards and so on. Opposite the Akropoli metro station (on the corner of Makriyanni and Diakou) there is a cafe of the Everest chain, and there are plenty of other similar establishments nearby. And if you don’t want to have a quick snack, but rather eat properly, then, going in any direction, you will very soon find a cafe or tavern: in Plaka, Monastiraki, Makriyanni or Thissio.

A Brief History of the Acropolis of Athens (Greece)

In the 2nd millennium BC, the Neolithic settlement on the Acropolis gives way to a Bronze Age settlement. It was a fairly significant fortified settlement, reminiscent of Mycenaean centers. The Acropolis was surrounded by a wall, modeled after the Cyclopean walls and. The remains of these walls can still be seen today. On the territory of the Acropolis there was the king's palace - the basileia. The palace, the remains of which have been preserved, is mentioned in the Iliad and Odyssey.

At the foot of the Acropolis, on the territory of the later Agora ( market square), residents of the Mycenaean-era settlement buried their dead. Like all of Mycenaean Greece, it did not escape the turmoil caused by the invasion of the northern Greek tribes of the Dorians, who moved in several waves starting around 1200 BC. The Acropolis at that time was the place of worship of the goddess Athena - the patroness of the city - and the seat of the rulers of Athens, the Eupatrides, who replaced the king, Basileus. Public meetings took place at the Propylaea of the Acropolis. To the west rose the rocky hill of the Areopagus, named after the god of war Ares. Here, on the leveled peak, the Council of Elders of noble families gathered.

The beginning of the 6th century BC is the time of the reforms of Solon, the wise Athenian legislator. In 594 BC he was elected archon. Solon's reforms laid the foundation for the formation of a democratic city-state in Athens - a polis. In Athens arises new center social and political life in the Agora, located northwest of the Acropolis. Intensive construction in Athens began during the period of tyranny of Pisistratus, who made a lot of efforts to decorate and improve the city. New buildings were erected on the Agora: temples of Apollo and Zeus, the altar of the twelve gods.

On the Acropolis, Peisistratus and his sons also undertook great construction.” The old temple of Athena was surrounded on all sides by a colonnade. New Propylaea were built, and an altar dedicated to Athena Nike was erected. A large number of statues, brought by Athenian citizens as gifts to the patron goddess of the city, decorated the Athenian Acropolis. After some time, the Athenians achieved military superiority, and after the defeat of the Persians, in which they played a significant role, the period of greatest prosperity of the Athenian state began. It was headed by Pericles, whose reign (444/43-429 BC) is rightfully considered the golden age of Athens.

They not only became one of the strongest and most influential states in Greece, but also became the center of cultural and artistic life of the entire ancient world. Athens headed the Maritime League (Delian League), which united many policies of Northern Greece and the islands of the Aegean Sea. The treasury of the union was kept in Athens, which could dispose of it. This circumstance, as well as the rich booty received by the Athenians after their victory over the Persians, made it possible to carry out an extensive construction program in the city. The grandiose plan of creating a new ensemble of the Athenian Acropolis was brought to life.

At the head of this colossal work was the greatest sculptor of Greece, Phidias, who created two statues of Athena - Promachos (Warrior) and Parthenos (Virgin) - to decorate the Acropolis. A whole galaxy of outstanding architects and sculptors worked under the leadership of Phidias. One after another, monuments were erected that became the best examples of classical Greek architecture: the majestic Parthenon, the light and graceful temple of Nike Apteros, the ceremonial Propylaea, the second largest temple of the Athenian Acropolis - the Erechtheion. The Acropolis of Athens fully expressed the greatness of the city, which, according to the testimony of the ancient Greeks, was recognized as the capital of Hellas.

And, indeed, the following centuries, until the Byzantine era, left almost no traces on the Acropolis. The Peloponnesian War lost by Athens put an end to the prosperity of Athens, which lost its primacy among Greek cities in the 4th century BC. The political decline of Athens was completed by the subjugation of Greece to the rule of the Macedonian kings. In the middle of the 2nd century BC, the Roman Republic subjugated Greece. At the beginning of the 1st century BC, Athens tried to overthrow the power of Rome. In 87 BC, the Roman commander Sulla, after a long siege, took the city and brutally plundered it. The first place among his spoils was occupied by works of Greek art.

In 267 AD the city was subjected to a devastating raid by the Goths and Heruli. With the spread of Christianity, Athens increasingly lost its significance as the center of Hellenic culture. Philosophical schools were closed, and in 529, by decree of Emperor Justinian, the last philosophers and rhetoricians were expelled from Athens. Ancient temples have been converted into Christian churches. After this, temples were used for both secular and religious purposes. The interior of these temples has undergone a radical alteration. New stage The history of the city begins with the Crusades. After the Fourth Crusade and the capture of Constantinople, it became part of the Latin Empire.

Athens became the capital of the Duchy of Athens, which over the 250 years of its existence (1205-1456) saw a number of rulers change. The Propylaea was turned into a palace, and in 1456, when Athens was captured by the Turks and the Acropolis became a Turkish fortress, the Propylaea became barracks and a gunpowder magazine. In 1656, an accidental explosion at this warehouse destroyed almost the entire central part of the building. The Parthenon turned from a Greek temple into a Roman one, then from a Byzantine church into a Frankish cathedral, and subsequently existed for several centuries as a Turkish mosque. And the Erechtheion, apparently because it was decorated with female figures, at one time served as a harem.

The Venetian diplomat Hugo Favoli wrote in 1563 that the Acropolis was “rising with glittering golden crescents”, and a tall and thin minaret tower rose in the southwestern part of the Parthenon. But, despite all this, the buildings on the rock still resembled, and probably much more than the current ruins, the original Acropolis: ancient, filled with sculptures painted in bright colors. Sadly, all these magnificent examples of architecture were preserved only in engravings and drawings of the time: the buildings were destroyed during the Venetian siege. The Turks dismantled the temple of Nike Apteros, and used the material to build a bastion.

Later, the Venetians, keeping the Turkish garrison under siege, blew up the Parthenon with a cannonball, which was turned into a gunpowder warehouse. The entire cella of the temple was destroyed, and the fire raged for two days and two nights. The destruction of the Parthenon and the capture of the Acropolis was meaningless: the Venetians soon left Athens, and the Turks returned to the Acropolis. For some time, the period of wars, but not destruction, ended for Athens. Lovers of antiquities who entered here not only admired them, but also tried to steal them.

Top of the Acropolis of Athens (Greece)

Today, like two thousand and a half years ago, only one road leads to the top of the Acropolis. In the time of Pericles, a paved road led to the Acropolis of Athens, climbing its gentle slope. The Propylaea rises above the large platform. A gate framed by two pylons opens onto the site. In 1853 they were discovered by the archaeologist Beile - after his name they are called the Beile Gate. From here the road went up to the Propylaea.

The top of the Acropolis is open to the public daily April-September 8:00-19:30; October-March 8:00-16:30, entrance costs 12 €, free on days public holidays and Sundays November-March. By purchasing a ticket, you pay for admission to the Theater of Dionysus, the ancient Agora, the Roman Forum, Kerameikos and the Temple of Zeus, and any of these you can visit before the Acropolis, but make sure that you are not sold separate ticket instead of a general ticket (the ticket is valid for 4 days).

Backpacks and large bags are not allowed in - luggage can be checked into a storage room at the main ticket office. The crowds on the Acropolis can be terrifying - don't want to be trampled by the crowd? Get out early in the morning or in the evening; most people are here late in the morning, when there are a lot of buses with tourists who will soon leave for lunch.

The Propylaea was built by Mnesicles in 437-432 BC; the proportions of the structure were in harmony with the recently completed Parthenon. The lateral wings are adjacent to the central part of the Propylaea. They were erected from the same Pentelic marble (mined on Mount Pentelikon, northeast of the city) as the temple, and in grandeur and architectural perfection, as well as in the impression they make, the Propylaea is almost comparable to the Parthenon. Mnesicles was the first to combine in one design ordinary Doric columns with columns of the Ionic order, which are taller and more graceful.

The columns, as it were, prepare with their solemn rhythm the reverent mood that was supposed to cover the ancient Athenians who entered the territory of the sanctuary of the goddess - the patroness of the city. The Propylaea became the most revered monument of Athens. The northern wing of the Propylaea consists of an outer portico and a vast rectangular hall behind it. In ancient times, the famous Pinakothek was located here - the first in the world art Gallery. Works by the greatest Greek artists of the classical era, including Polygnotus, were kept here. He worked in the second quarter of the 5th century BC, and six centuries later, already in the Roman era, his works were described by Pausanias in his guidebook “Description of Hellas.” The northern wing of the Propylaea corresponds to the southern one, but it is smaller.

It is believed that Mnesicles deliberately reduced the size of the southern wing because he took into account the presence of the temple of Nike Apteros (Athena the Victorious). One cannot help but be surprised at the skill with which Mnesicles and the author of the temple project, Niki Apteros Kallikrates, solved the difficult task of combining these two buildings in one ensemble. Behind the gates one can see one of the best preserved sections of the Panathenaic Way - the Sacred Road, along which the participants of the Panathenaic festivities were held every four years in honor of the divine patroness of the polis (images of these processions adorned the frieze of the Parthenon).

The procession began in the city, at the main cemetery of Keramikos, and, passing through the Propylaea, headed to the Parthenon and then to the Erechtheion. On weekdays, most of the Sacred Way was used as a regular road. In ancient times, processions passed by the ten-meter bronze statue of Athena Promachos, that is, Athena the Warrior, and recently the exact place where the sculpture’s pedestal stood was established. The statue was sculpted by Phidias, who symbolically depicted in the sculpture the resistance of the Athenians to the Persians. In the Byzantine era, the sculpture was transported to Constantinople (present-day), where it was destroyed by an angry crowd who believed in the rumor that the pointing hand of the goddess had guided the Crusaders to the city in 1204.

It was decided to build a simple and elegant temple of Nike Apteros in honor of the victorious end of the war with the Persians in 449 BC. But construction was completed only in 427-424 BC. It stands on a three-step pedestal. Its monolithic columns are similar to the Ionian columns of the Propylaea. Now the temple has reappeared renewed: it was dismantled, and the fragments were taken away to be cleaned and restored. It's funny, but this is not the first time this has happened: the Turks dismantled the building in 1685 to make room for the battery.

Two hundred years later, restorers collected the scattered parts and recreated the original appearance of the temple. No less impressive is the restoration of the reliefs of the frieze of the temple from fragments. You will see the most remarkable example of art, both by ancient artists and restorers of the century before last, in the Acropolis Museum, this is “Nike Trying on Sandals.” The frieze of the temple very realistically depicts the victory of the Athenians over the Persians at the Battle of Plataea.

From the pyrgos site of the temple of Nike Apteros there is a beautiful view of the entire city and the Saronic Gulf, the waters of which wash the coast of Attica. One of the poetic myths of Ancient Athens, which Pausanias retold, is connected with this. The myth tells the story of King Aegeus, who was waiting for the white sails to appear and mark the return of his son Theseus, who went to kill the Minotaur. Theseus, who was returning victorious, forgot about his promise to change the black sails to white ones. The father, seeing black sails in the distance, decided that his son was dead, in despair he threw himself down onto the rocks and crashed.

It is probably best to look at the temple if you go through the Propylaea and stand a little to the right. From there you can see nearby what remains of the sanctuary of Artemis of Bravrona. Although its purpose is not very clear, it is known that it once housed the Trojan Horse, made in bronze. The section of the Mycenaean rampart (parallel to the Propylaea), included by the architects of Pericles in the general building plan of the classical period, is very striking.

Antique monument Parthenon in the Acropolis of Athens (Greece)

The Parthenon, dedicated to the goddess Athena-Parthenos (Virgin), was built as part of the Pericles program. The temple was intended as a new sanctuary for Athena. Inside, the temple was divided into two unequal parts. In the main, eastern, there was famous statue Athens, made of gold and ivory. Precious stones were inserted into the eye sockets of the statue, and on the chest in the center of the shell was the deadly head of the Gorgon Medusa, made of ivory. The statue carved by Phidias was installed in the twilight of the hall intended for it - the cella, and it remained there until the 5th century BC. The statue has not survived to this day, but numerous later copies have survived, including a remarkable Roman copy exhibited in.

The Parthenon, like other classical temples, stood on a stylobate, each of the steps of which had a height of 0.55-0.59 meters. But its grandeur does not overwhelm the viewer; this is a feature of Greek architecture, its deep humanism. The Parthenon is a classic example of a Greek temple of the Doric order, but at the same time its architecture is distinguished by a number of unique individual features. The proportions of the columns and entablature, the ratio of the number of columns on the sides of the temple (the number of columns on the longitudinal side is one more than twice the number of columns of the facade, that is, 8 and 17) strictly correspond to the standards developed by classical Greek architecture. Techniques such as slight thickening and inclination of the corner columns towards the center, entasis - swelling of the column trunk, and slight bending of the stylobate step were skillfully used.

All these features were supposed to compensate for errors in visual perception, since absolutely straight lines are perceived at a distance by the human eye as slightly concave. As a result, the Parthenon appears before your eyes as an ideal building with clear, harmonious lines and proportions. The Parthenon once looked festive and elegant with its white marble columns and walls, topped with sculptural friezes and pediments, in which polychrome was widely used: the background of the pediments and markers was painted dark red, the frieze - blue. Against this colored background, the figures stood out especially clearly, retaining the color of marble. Their parts were also painted or gilded. All the sculptural decoration of the Parthenon was subordinated to one goal - glorification hometown, its gods and heroes, its people.

The temple was decorated with a frieze of fine workmanship. The theme of the frieze is the glorification of the Athenian people on the day of the celebration of the Great Panathenaia. The main, eastern pediment of the Parthenon was decorated with a composition depicting the myth of the birth of the goddess Athena. The western pediment depicts an Attic legend - about the dispute between Athena and Poseidon for power over Attica. Most of the pediment, central columns and cella were destroyed in 1687, when the Acropolis of Athens was besieged by the Venetians. The best samples The surviving sculptures are now in the so-called “Elgin Marbles”. Several original sculptures and fragments, along with a model of the temple, can be seen in the Acropolis Museum, and the Acropolis metro station is decorated with very good reproductions of the temple.

Ancient temple Erechtheion in the Acropolis of Athens (Greece)

North of the Parthenon rises the Erechtheion. The myth tells that when Athena hit the ground with her spear, an olive tree grew from it, and sea water began to flow from the ground. The Olympian gods declared Athena the winner. Pausanias writes that he saw both an olive tree and sea water, and adds: “What is extraordinary about this well is that when the wind blows, the sea seems to splash in it.” Erechtheion - absolutely unique monument. The originality of its asymmetrical plan is explained by the fact that this temple united a number of different sanctuaries. Most of them existed in this place before the construction of the Erechtheion. The construction of the Erechtheion was provided for by the grandiose construction plan on the Acropolis, developed under Pericles.

The Erechtheion was the main place of worship of the goddess Athena, where her ancient statue was kept. The temple was named after one of the most ancient legendary kings and heroes of Athens - Erechtheus. The author of the project of this temple is unknown. Some scientists, finding analogies in the layout of the Erechtheion and the Propylaea, believe that it could be Mnesicles. Once upon a time there was one of the sacred places, where on the rock one could see the mark left by Poseidon’s trident during his dispute with Athena. Kekropion was also located here - the grave and sanctuary of the first legendary king of Attica - Kekron. The famous portico of the caryatids rises above it. On a high plinth there are six statues of girls supporting the ceiling of the portico.

These majestic and strong figures stand calmly. The folds of Doric long peplos falling vertically downward resemble the flutes of columns. Who were these girls portraying? There is a plausible assumption: the number of servants of the cult of Athena included arrephoros, young girls chosen from the best Athenian families for a period of one year. They took part in the production of the sacred peplos, in which they annually dressed ancient statue Athens. Time and people have not been kind to the caryatid statues. Five original statues are in the Acropolis Museum. One of them was broken by Lord Elgin. It has been replaced by a copy.

Southern slope of the Acropolis of Athens (Greece)

You can get to the southern slope of the Acropolis (daily summer 8:00-19:00; winter: 8:30-15:00; 2 € or with a single ticket to the Acropolis of Athens) from the place where the main ticket office, or from the pedestrian avenue Leoforos Dyonisiou Areopayitou, - this is where the Acropolis metro station is. The Roman theater (odeon) of Herodes Atticus, built in the 2nd century, dominates the southern slope of the Acropolis hill, which has been restored and is currently summer festivals is the stage for musical performances and productions of ancient Greek drama. Unfortunately, visitors are only allowed inside for performances; access is closed at other times.

But there is also the Theater of Dionysus, which is also located near southern slope Acropolis. This is one of those places in the city that encourages memories of the past: it was here that the masterpieces of Aeschylus, Sophocles, Euripides and Aristophanes were first staged. Tragedies were staged here every year - and every Athenian could take part in the production and in the choir. In the 4th century BC, the theater was rebuilt, and it began to accommodate about 17 thousand spectators; 20 of the 64 tiers of the ancient theater have survived to this day. Here you can see large marble chairs in the first row, which were intended for priests and high officials, as evidenced by the inscriptions on the chairs.

In the center there is a chair for the priest of the god Dionysus, next to it is a chair for the representative of the Delphic oracle. The semicircular orchestra of the theater is paved with stone slabs forming a pattern in the center. The orchestra is closed by a low skena, the front side of which is decorated with reliefs depicting various episodes from the myths of Dionysus. In the middle of the frieze there is an expressive figure of Silenus, a companion of the god Dionysus: bent over, he seems to be holding the pavement of the skene floor on his shoulders. There is bustle and construction equipment around the theater - archaeological excavations are underway, promising to yield interesting results.

The cliffs of the Acropolis rise above the theater. They are crowned by a powerful defensive wall. Two Corinthian columns are visible near the wall - the remains of a Roman-era structure. Below them the entrance to the chapel in the rock, fenced with ropes, darkens. It was once dedicated to Dionysus, now the chapel of Our Lady is Panagia Spiliotis. To the west of the theater are the ruins of the Asklepion, a sanctuary where the god of healing Asclepius was worshiped, built around a sacred spring. In the Byzantine era, the church of the holy healers Cosmas and Damian was erected, of which only ruins remain. Next to the road stretched the foundations of the Roman Stoa of Eumenes, the rows of columns of which stretched to the theater of Herodes Atticus.

Museum of the Acropolis of Athens (Greece)

After decades of delays, by the time you read this article, the new Acropolis Museum (opened June 20, 2009) on the southern slope of the Acropolis, Acropolis metro station, will definitely be finally opened. He looks great. Architectural highlights on the top floor, in glass cases and with views straight to the Parthenon. Here, it is hoped, the marbles from the Parthenon (those currently in the Acropolis Museum and those that may be returned, the Elgin Marbles) will be reunited. To speed up and facilitate the return of these sculptures, the Greeks agree that they should simply be given them for display, or that part of the museum should be the "British Museum at Athens", in which case the owner will not change.

So far, he has ignored all the proposals, but many continue to believe that the complete set of the new museum - with gaps in place of missing exhibits - will finally force the British Museum in London to take steps forward. Among the exhibits from the old collection, most of which you can see in new places, are sculptures that decorated the frieze of the Old Temple of Athena (VII-VI centuries BC), which partially retained their rich coloring. A little further on is the Moschophorus marble statue (570 BC) - one of the earliest marble statues found on the Acropolis. The sculptor sculpted a young man carrying a sacrificial calf on his shoulders. One of the most precious treasures of the museum is also on display - a collection of statues of the Cor.

The statues depicted priestesses of the goddess Athena and stood near her temple. This is also where interesting statue a rider of fine workmanship. Most of the statues date back to the second half of the 6th century BC, when Ionian sculptors worked in Attica. They created new type bark, maybe less expressive, but more elegant. Here you can also see a charming sculpture that the Greeks call Sandalizussa: Athena Nike (Victorious) trying on sandals. Finally, five authentic caryatids from the Erechtheion are on display. On the lowest floor there is a glass mezzanine containing exhibits from early Christian Athens discovered during construction work.

Areopagus Hill of the Acropolis of Athens (Greece)

Just below the entrance to the Acropolis of Athens you will see tall, awkward rock-cut steps leading to the Areopagus. On this “Hill of Ares”, during the reign of the Basilean kings, the Court of Elders, the highest body of the Athenian state, met. The court tried murder cases. And the first whom they judged were, according to myth, the god Apec, who killed Allirotheus, the son of Poseidon, and Orestes, the son of Agamemnon and Clytemnestra, who, avenging his father, killed his mother. The victory of democracy took away power from the Court of Elders and transferred it to the People's Assembly (which met on the Pnyx).

The Persians, besieging the Acropolis of Athens in 480 BC, set up their camp here, and in Roman times the Apostle Paul preached. Evidence to this day ancient greatness we didn’t get there, the hill is covered with cigarette butts and empty beer cans - both of which are left over from tourists relaxing here after excursions around the Acropolis and enjoying the views along the way. And the views here are good - down to the Agora and forward to the ancient cemetery at Keramikos.

In contact with

We all studied history in 5th grade. Ancient world. We remember photographs and drawings of the Acropolis on the pages of our textbooks.

Then we did not think that thousands of years ago in this place people lived and died, made plans and houses, loved and suffered.

The Acropolis of Athens was the cradle of modern European civilization. The greatness of our ancestors is worthy of respect. But you can fully experience this only by seeing with your own eyes the place where legends were born.

Upper town

According to ancient myth, the founder was the half-man, half-snake king Kekrop, born of the ancient Greek goddess of the earth Gaia.
Struck by the beauty of the area, he founded an ancient city.

But then cities could not exist without divine participation. Mycenae and Agros were patronized by Hera, Thebes by , and Demeter was supervised by Eleusis.

The daughter of Zeus, Athena, and the ruler of all seas and oceans, Poseidon, fought for the honorary title of patron of the new city. Kekrop organized a competition, the essence of which was that whoever presented the city with the best gift would own the land.

Poseidon was the first to take part in the competition. In hot and dry areas, there is no better gift than cool water. Hitting the rock with his trident, he created a waterfall. But its waters were salty and useless for the inhabitants.

Athena gave the city an olive tree, which gives shade, and...
Kekrop considered Athena's gift to be the best, and the gods agreed with him.

Since then, the beloved daughter of Zeus became the patroness of Athens. And in her honor, Kekrop built the first sanctuary. And the city that offended Poseidon still periodically experiences drought.

The city was founded on a 156-meter flat-topped hill. From here there was an amazing view of the sea and surrounding area. Initially, in addition to the sanctuary of the divine patroness, there were buildings of political and economic significance, such as the state treasury, a weapons depot, etc.

The acropolis was inhabited mainly by rulers and nobility. Ordinary people and artisans built their homes at the foot of the hill. In case of danger, the population took refuge behind the fortress walls.

Acropolis, translated from Greek, means “upper city”. Each Greek city in those days had its own acropolis. But it was Athens who gained worldwide fame.

This is not only a symbol of the capital, but also a symbol of the entire country. The building is a complex architectural ensemble, listed world heritage UNESCO.

But the buildings that we can see now were not here originally. Throughout history, the Acropolis of Athens has been subjected to destructive raids more than once.

Those temples that have survived to this day were built around the middle of the 5th century BC. e. This happened after finally defeating the Persians, the Greek city-states finally united and created the Athenian Maritime Union under the leadership of Athens.
Then it was decided to allocate money for the restoration of the Acropolis destroyed by the Persians.

The temples were burned to the ground, so they were simply rebuilt. Central location taken to the temple of Pallas Athena - the Parthenon.

Also on the territory of the Acropolis are the temple of the Erechtheion with its famous portico of the Caryatids, the Bravronion and many others.

Each of the temples is unique and is of interest not only to specialists and historians, but also to ordinary tourists, for whom history is not just a word. But the Hellenic temples that have passed through millennia have recently been subject to severe destruction.
The reason for this was a change in the atmosphere. Due to exhaust emissions, the sulfur content in the air has increased. Marble slowly turns into limestone. In addition, the iron structures connecting the marble parts, oxidizing, destroy the noble stone.

The Acropolis is undergoing ongoing restoration. Therefore, scaffolding can spoil the impression for tourists. Until scientists find a way to counteract the chemical destruction of stone, some of the sculptures have been replaced with copies. The originals are housed in the Acropolis Museum.

Athens begins with the Acropolis

No matter where you stay in Greece, it is simply unreasonable not to visit the Acropolis of Athens. Greece is not that big country and getting to Athens will not be difficult; besides, there are a great many ways to get to the capital.

The Acropolis of Athens is an open-air museum. When examining it, you will have to walk a lot and climb a mountain. Therefore, when going on an excursion, do not forget about comfortable shoes and hats. Keep in mind that the steps and stones are mostly slippery.

You will have to decide for yourself how to organize your excursion. Excursion programs great multitude. All usually include a visit to the Acropolis, and several other attractions.

You can buy a tour either in small agencies scattered throughout the city or via the Internet. You can also purchase it from your tour operator. The cost of programs varies in an unimaginable range. It all depends on what the organizers included in the excursion, whether food is included or not, what type of transport, etc.

It will be no less interesting if you organize it yourself. In addition, the feeling of freedom and the fact that you are left to your own devices will add spice and turn an ordinary excursion into a small adventure.

There are two hills in the center of Athens. The Acropolis is located on one. Another hill is called Lycabettos, and it is famous for its incredible views of the city. At the foot of both hills lies the dense buildings of old Athens. It is impossible to go wrong with the direction in search of the Acropolis.

There is plenty of public transport in Athens, but it is still more convenient to move quickly by using the metro.
The metro station with easy access to the Acropolis is called “Acropolis” and is located on the red line.
From the Thissio and Monastiraki metro stations the archaeological site can also be reached on foot.

Travel tickets should be purchased at metro ticket offices or ticket machines. Single ticket costing 1.4 euros will allow you to travel by any type of transport in any direction for 90 minutes. A one-day ticket costs 4 euros.

Rising from the metro to the surface, you will see majestic ancient buildings. The Acropolis is so powerful that modern city just gets lost against its background.

The place attracts traders, as in the rest of the world, with an influx of tourists.

Therefore, there are many eateries, coffee shops and souvenir shops around. A tourist will not be able to stay hungry. But you should still stock up on water in advance, since here it is shamelessly expensive - from 0.5 euros, and the higher you go up the mountain, the higher the price for a bottle of ordinary water.

The archaeological site welcomes tourists in the summer season: on weekdays from 8-00 to 18-30, and on weekends and holidays from 8-30 to 14-30. In July and August, it is better to plan your visit in the morning.

During the day, the impression can be spoiled by the merciless heat. In addition, be prepared for the fact that there will be crowds of tourists there besides you - this cannot be avoided.

If a visit to the Acropolis is not planned as part of an excursion with a Russian-speaking guide (which may be expensive), then download the Mobile Guide program to your gadget in advance, or grab a guidebook.

Otherwise, you will be doomed to contemplate the ruins, having absolutely no idea about them. rich history. If you're lucky, you can join the excursion in Russian.

At the entrance there is a stand with rules of behavior on the territory of the monument. The main thing is not to touch the stones!

The entrance ticket to the Acropolis of Athens costs 12 euros. The ticket is valid for 4 days.

You can also use it when visiting six more attractions: the Theater of Dionysus, the Roman Agora, the Ancient Greek Agora, the Temple of Zeus, the Library of Hadrian and the ancient cemetery - Ceramics.

Refrain from buying souvenirs on the territory of the monument.

Absolutely the same souvenirs, other trinkets and objects of unknown purpose can be purchased at the foot of the Acropolis, and three times cheaper.

The Greeks are friendly people, their food is delicious, the portions are simply huge.

In addition, any self-respecting establishment at the end of the meal will bring you a compliment from the establishment, in the form of a glass or, and the children - a dessert. Therefore, from this point of view, there is no difference in which tavern to eat.

To combine business with pleasure, visit also Central Market Athens. It is located near the Acropolis.

Market open: from Monday to Saturday from 8-00 am to 18-00 pm. It is located just 500 meters from the Monastiraki metro station.

You will not only enjoy the local flavor, but also have a snack at very affordable prices. In taverns you can have a hearty meal for 10-15 euros. And choose cute ones from 1 euro.

Well, now, having received all the valuable advice, we head to the upper city of Athens.

Propylaea

The monumental entrance to the Acropolis, the Propylaea, is located in the western part of the Acropolis.

They were built on a steep slope. Initially, you could get here along a wide path, which the Romans later covered with steps.

The Propylaea consists of two porticoes, one directed towards the Acropolis, and the other towards the city.

The ceilings of the porticos are painted blue and painted with golden stars. On the inside there are Ionic columns and pavilions. In ancient times there were located Art Gallery and a library.

Temple of Nike Apteros

An elegant marble temple dedicated to the Goddess of Victory, constant companion of the goddess Athena.

Inside there was a statue of Nike, which has not survived. But contemporaries claim that Nika held a helmet in one hand and a pomegranate fruit in the other. It is noteworthy that this image of Nike does not have wings, although it was customary to depict her as winged, which gives reason for some scientists to assume that the statue depicted Athena, and not Nike.
Apteros translated from Greek means “wingless”, and Nika means “victory”.

The ancient Greek writer Pausanias claimed that the goddess was deprived of her wings so that she could not leave the city. The friezes are decorated with relief images of gods. The temple is located to the right of the Propylaea, outside the Acropolis and is well preserved.

The temple was restored for the last time in 2000, and is now visible from anywhere in the city center, and when it gets dark the lights turn on, which gives the building a fantastically beautiful look.

Parthenon

Next to the temple grows that legendary olive tree - Athena’s gift to the city. The temple is dedicated to Athena, Poseidon and the king of Athens - Erechtheus. The temple is named after him.

The architect had to try hard, since the temple was being built on a rather uneven surface. Therefore, the structure is asymmetrical and consists of two rooms at different levels.

The eastern part was erected in honor of Pallas Athena. It has a separate entrance. It also contained her oldest sculpture, which, according to myth, fell from the sky. The priestesses dressed the sculpture in clothes woven by them - “peplos”. And in front of Athena burned an unquenchable golden lamp.
Porticoes of various shapes are built on three sides.

The western room of the temple glorifies Poseidon and King Erechtheus. It also has a separate entrance. The altars are dedicated not only to the gods, but also to mortals Erechtheus and his brother.

In this part of the temple there was a spring of salt water, formed just when Poseidon struck a nearby rock with his trident. The impact trace can still be seen to this day. It is also interesting to see the trace of the lightning of Zeus, with which he struck Erechtheus, and the gravestones of the tomb of the snake-man Cecrops.

Portico of the Caryatids

The Portico of the Caryatids is part of architectural ensemble Temple of the Erechtheion, but this is such a unique structure that it is designated as a separate attraction.

The portico is supported by baskets of statues of beautiful girls. They say that these are residents ancient city Kariy, priestess of the goddess Artemis. They were very beautiful and had the custom of dancing in honor of the goddess Artemis with baskets full of flowers or fruits on their heads.

Currently, the portico is supported by six copies of ancient statues. The originals are distributed to museums around the world. One is in the British Museum, the rest in the Acropolis Museum.
The idea of using sculptures of girls instead of columns has survived to this day, and caryatids have become an architectural element.

Acropolis Museum

The Acropolis Museum is 300 meters away. The building itself is already unique. It is unlikely to go unnoticed by tourists.

Compared to the general background, the museum is simply ultra-modern. Built right on the excavation site. The results of archaeologists' work can be seen through the glass floor on the ground floor. The area of the museum is impressive - 226 thousand square meters. m. There is no point in describing the many exhibits. But the collection of antique statues will definitely be remembered.

The cafe is very conveniently located - right on the roof of the museum.

The incomparable taste is in perfect harmony with the incredible view from the roof of the museum.

Price entrance ticket 5 euros. It is open every day except Monday from 8 am to 10 pm.

It might be useful to read: